Future Poltergeist

 On the face of it, this movie is pure gimmick. It's a black and white movie, made entirely in the style of a silent movie. With few exceptions, the only sounds we hear are in the movie score. There are cards with quoted dialogue on them, just like in old times, but most of the movie is conveyed through the acting.  At first I was irked by this, because it felt very gimmicky, but it really grew on me. The acting that is needed in such a genre is different than in the "talkies" and it was interesting to experience it. It required close attention, and it drew me in to the story. The movie has a ton of heart and it's easy to see why it got so much praise. The story is somewhat similar to 'Singing in the Rain'. A silent movie star (Jean Dujardin) has the rug pulled out from under him but the inclusion of sound in movies. He rejects it and feels that it will have no place for him. (Very late in the movie, we find out why.) The change in movie style happens just as ...

 Long time readers of the blog will remember that I've had a thing for watching movies that were nominated for Best Picture. In fact, the very first function for this whole thing was to record my watching of the 50 movies that had that distinction in the 90s. I still enjoy doing so, but marriage and kids have sometimes been an obstacle in watching arthouse style movies.  Sometime in the 00s I stopped being a completest when it comes to watching the noms. That was true by the middle of the decade and became even more of a thing when the Oscars expanded past five noms per year in 2009. I don't know that the quality of the movies declined, but carving out time to watch nine movies is simply a more daunting task. Harder to start and (much) easier to slough off.  A few weeks back, it occurred to me that I could fix that. I could watch the ones I haven't seen and rewatch some that I don't remember well. I like to have some kind of project going and if I approach this in a cas...