Amadeus - 1984
This movie begins with the attempted suicide of Antonio Salieri. He's overcome with guilt about the death of Mozart. The movie is told from the viewpoint of his flashbacks as he recounts the awfulness of being second best. The effect is quite brilliant.
Consider a scene from the first half of the movie. Salieri is the court composer of Emperor Joseph II, one of the most powerful men in Europe. He wants to honor Mozart's entrance to the court with a march that he's written. The Emperor insists on playing it himself on the spot, playing badly. Mozart enters and is given the piece. He declines saying that he knows it from one hearing. He sits down and plays it. Then he picks out a piece and improves it. Salieri's efforts have been made to seem small and pitiful.
His anguish is primal and only grows with time. F. Murray Abraham's protrayal is very very good. He won an Oscar for it and it's entirely deserved.
This is a great movie.
Consider a scene from the first half of the movie. Salieri is the court composer of Emperor Joseph II, one of the most powerful men in Europe. He wants to honor Mozart's entrance to the court with a march that he's written. The Emperor insists on playing it himself on the spot, playing badly. Mozart enters and is given the piece. He declines saying that he knows it from one hearing. He sits down and plays it. Then he picks out a piece and improves it. Salieri's efforts have been made to seem small and pitiful.
His anguish is primal and only grows with time. F. Murray Abraham's protrayal is very very good. He won an Oscar for it and it's entirely deserved.
This is a great movie.
Comments
The thing about the music is this, I'm not looking for 'sublime' in my music. I'm looking for passion. Tchaikovsky moves me in ways that Mozart never has. Same with many of the other Romantic composers. Different tastes.