I like #5 especially (even if I don't follow it). #6 gives me the most trouble, but it is also the best place to turn for inspiration. Disagree with #8, as suspense is sometimes the only point of a short story.
- Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
- Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things — reveal character or advance the action.
- Start as close to the end as possible.
- Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Interesting, though.
2 comments:
Have you read Welcome to the Monkey House? It's a book of his short stories & the first piece of Vonnegut I ever read - hooked me for life. I don't think even HE agrees with #8. My favorite book by him (Bluebeard) is all ABOUT suspense & he doesn't reveal until the very end.
I don't know that I've read any Vonnegut at all. Just one of those darn blank spots, sorry.
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